43 bars of 4/4 at 150 BPM, about 1:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-5 and 39-41 -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 6, 8, 21, 22, 30, 32 and 3 more.
1 more fill is written out on the fills page.
43 bars across 5 sections: 27 keep time, 9 are fills and 1 is a stop. The longest unbroken stretch of time is bars 23-29.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
43 bars, about 1:09 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 6, 8, 21, 22, 30, 32 and 3 more.