114 bars of 4/4 at 116 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 78, 82 and 86, and 8 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 47 times: bars 12, 15, 16, 17, 18, 19 and 41 more.
14 more fills are written out on the fills page.
114 bars across 11 sections: 39 keep time, 47 are fills, 4 are stops and 14 are silent. The longest unbroken stretch of time is bars 43-50.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
114 bars, about 3:56 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 47 times: bars 12, 15, 16, 17, 18, 19 and 41 more.