102 bars of 4/4 at 138 BPM, about 2:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-22, 32 and 42-47, and 6 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 9 times: bars 4, 6, 23, 24, 48, 49 and 3 more.
102 bars across 15 sections: 73 keep time, 9 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 32-40.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
102 bars, about 2:57 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 4, 6, 23, 24, 48, 49 and 3 more.