130 bars of 4/4 at a walking 109 BPM, 4:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20-22, 24-30 and 51-53, and 1 more place -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 26 times: bars 8, 17, 19, 23, 39, 48 and 20 more.
9 more fills are written out on the fills page.
130 bars across 13 sections: 67 keep time, 26 are fills, 6 are stops and 17 are silent. The longest unbroken stretch of time is bars 9-15.
109 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
130 bars, about 4:46 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 8, 17, 19, 23, 39, 48 and 20 more.