58 bars, 3:22, at 69 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 5-11 and 32-37 -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 9 times: bars 12, 13, 15, 23, 30, 38 and 3 more.
4 more fills are written out on the fills page.
58 bars across 7 sections: 33 keep time, 9 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 5-11.
69 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
58 bars, about 3:22 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 12, 13, 15, 23, 30, 38 and 3 more.