88 bars of 4/4 at 110 BPM, about 3:12 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 49-51 and 73-75, and 1 more place -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 11 times: bars 52, 56, 57, 58, 59, 60 and 5 more.
88 bars across 14 sections: 51 keep time, 11 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-8.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
88 bars, about 3:12 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 11 times: bars 52, 56, 57, 58, 59, 60 and 5 more.