91 bars of 4/4 at 125 BPM, about 2:55 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 45-47, and 3 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 18, 19, 21, 25, 29, 34 and 6 more.
3 more fills are written out on the fills page.
91 bars across 10 sections: 61 keep time, 12 are fills, 7 are stops and 3 are silent. The longest unbroken stretch of time is bars 83-90.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
91 bars, about 2:55 at the written tempo. The course breaks it into 31 exercises over 11 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 18, 19, 21, 25, 29, 34 and 6 more.