128 bars at 170 BPM -- fast, and 3:01 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-40, 65-71 and 73-79, and 11 more places -- 34.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 32, 44, 48, 56, 64, 72 and 3 more.
3 more fills are written out on the fills page.
128 bars across 13 sections: 66 keep time, 9 are fills, 14 are stops and 26 are silent. The longest unbroken stretch of time is bars 73-84.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
128 bars, about 3:01 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 32, 44, 48, 56, 64, 72 and 3 more.