113 bars of 4/4 at 133 BPM, about 3:24 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-24, 42-48 and 51-56 -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 25, 57, 74, 75, 76, 77 and 6 more.
113 bars across 12 sections: 84 keep time, 12 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 1-24.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
113 bars, about 3:24 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 25, 57, 74, 75, 76, 77 and 6 more.