111 bars at 164 BPM -- fast, and 2:38 of it without a break -- on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 22 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 36, 76, 84, 108, 110 and 111.
1 more fill is written out on the fills page.
111 bars across 6 sections: 91 keep time, 8 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 37-65.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
111 bars, about 2:38 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 36, 76, 84, 108, 110 and 111.