85 bars of 4/4 at a walking 95 BPM, 3:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-5, 22 and 24, and 12 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 1, 21, 29, 31, 42, 43 and 8 more.
5 more fills are written out on the fills page.
85 bars across 8 sections: 61 keep time, 14 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 2-20.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
85 bars, about 3:35 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 1, 21, 29, 31, 42, 43 and 8 more.