105 bars of 4/4 at a walking 90 BPM, 4:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-28, 46-52 and 84-90 -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 29, 53, 61, 67, 73, 91 and 2 more.
3 more fills are written out on the fills page.
105 bars across 15 sections: 65 keep time, 8 are fills, 1 is a stop and 13 are silent. The longest unbroken stretch of time is bars 14-21.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
105 bars, about 4:40 at the written tempo. The course breaks it into 41 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 29, 53, 61, 67, 73, 91 and 2 more.