124 bars of 4/4 at 120 BPM, about 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 13-15, and 7 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 28, 32, 36, 48, 52, 56 and 9 more.
4 more fills are written out on the fills page.
124 bars across 15 sections: 83 keep time, 15 are fills and 8 are silent. The longest unbroken stretch of time is bars 5-22.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
124 bars, about 4:12 at the written tempo. The course breaks it into 51 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 28, 32, 36, 48, 52, 56 and 9 more.