200 bars at 173 BPM -- fast, and 4:37 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55, 81-85 and 87, and 7 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 77 times: bars 18, 19, 21, 22, 23, 24 and 71 more.
12 more fills are written out on the fills page.
200 bars across 12 sections: 95 keep time, 77 are fills, 6 are stops and 12 are silent. The longest unbroken stretch of time is bars 89-93.
173 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
200 bars, about 4:37 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 77 times: bars 18, 19, 21, 22, 23, 24 and 71 more.