116 bars of 4/4 at a walking 93 BPM, 4:59 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 9, and 5 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 23 times: bars 4, 8, 18, 29, 30, 33 and 17 more.
9 more fills are written out on the fills page.
116 bars across 10 sections: 66 keep time, 23 are fills, 16 are stops and 1 is silent. The longest unbroken stretch of time is bars 97-114.
93 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
116 bars, about 4:59 at the written tempo. The course breaks it into 43 exercises over 16 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 23 times: bars 4, 8, 18, 29, 30, 33 and 17 more.