185 bars of 4/4 at 148 BPM, about 5:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 17 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 70 times: bars 8, 12, 16, 24, 39, 40 and 64 more.
15 more fills are written out on the fills page.
185 bars across 18 sections: 63 keep time, 70 are fills, 22 are stops and 7 are silent. The longest unbroken stretch of time is bars 106-110.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
185 bars, about 5:00 at the written tempo. The course breaks it into 75 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 70 times: bars 8, 12, 16, 24, 39, 40 and 64 more.