63 bars, 4:00, at 63 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 5 and 7-12 -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 14 times: bars 20, 22, 26, 28, 38, 40 and 8 more.
8 more fills are written out on the fills page.
63 bars across 8 sections: 29 keep time, 14 are fills, 3 are stops and 12 are silent. The longest unbroken stretch of time is bars 5-11.
63 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 60 out of 100; the rest of the number is everything around it.
63 bars, about 4:00 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 14 times: bars 20, 22, 26, 28, 38, 40 and 8 more.