103 bars, 5:46, at 71 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 79-80, 83 and 87-88, and 3 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 8, 12, 16, 20, 24, 28 and 5 more.
4 more fills are written out on the fills page.
103 bars across 7 sections: 50 keep time, 11 are fills, 10 are stops and 28 are silent. The longest unbroken stretch of time is bars 87-102.
71 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
103 bars, about 5:46 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 8, 12, 16, 20, 24, 28 and 5 more.