174 bars of 4/4 at a walking 107 BPM, 6:30 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-39, 41-47 and 73-79, and 3 more places -- 25.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 18 times: bars 8, 16, 32, 40, 48, 56 and 12 more.
7 more fills are written out on the fills page.
174 bars across 12 sections: 138 keep time, 18 are fills and 7 are silent. The longest unbroken stretch of time is bars 17-31.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
174 bars, about 6:30 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 8, 16, 32, 40, 48, 56 and 12 more.