77 bars of 4/4 at a walking 88 BPM, 3:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 3-7 and 76 -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 17 times: bars 4, 6, 13, 14, 15, 16 and 11 more.
77 bars across 5 sections: 22 keep time, 18 are fills, 1 is a stop and 33 are silent. The longest unbroken stretch of time is bars 69-77.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
77 bars, about 3:29 at the written tempo. The course breaks it into 21 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 17 times: bars 4, 6, 13, 14, 15, 16 and 11 more.