155 bars of 3/4 -- not four -- at 87 BPM, 5:21 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-53, 55-56 and 61, and 6 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 62 times: bars 18, 22, 24, 25, 26, 27 and 56 more.
14 more fills are written out on the fills page.
155 bars across 17 sections: 42 keep time, 62 are fills, 9 are stops and 28 are silent. The longest unbroken stretch of time is bars 39-43.
87 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
155 bars, about 5:21 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 62 times: bars 18, 22, 24, 25, 26, 27 and 56 more.