124 bars of 4/4 at a walking 95 BPM, 5:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-13, 15 and 17-23, and 5 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 24, 32, 39, 40, 54, 56 and 21 more.
10 more fills are written out on the fills page.
124 bars across 12 sections: 74 keep time, 27 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 8-23.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
124 bars, about 5:13 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 24, 32, 39, 40, 54, 56 and 21 more.