82 bars of 4/4 at a walking 100 BPM, 3:16 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 8 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 62, 63, 64, 65, 66, 70 and 3 more.
82 bars across 11 sections: 60 keep time, 9 are fills and 1 is silent. The longest unbroken stretch of time is bars 32-45.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
82 bars, about 3:16 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 9 times: bars 62, 63, 64, 65, 66, 70 and 3 more.