88 bars of 4/4 at 110 BPM, about 3:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-40, 59 and 63 -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 10 times: bars 16, 26, 44, 48, 52, 58 and 4 more.
6 more fills are written out on the fills page.
88 bars across 12 sections: 56 keep time, 10 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 4-12.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
88 bars, about 3:11 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 10 times: bars 16, 26, 44, 48, 52, 58 and 4 more.