195 bars of 4/4 at 150 BPM, about 5:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 18-20, 22-24 and 26-32, and 6 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 53 times: bars 34, 35, 41, 43, 44, 46 and 47 more.
13 more fills are written out on the fills page.
195 bars across 14 sections: 74 keep time, 53 are fills, 14 are stops and 42 are silent. The longest unbroken stretch of time is bars 84-99.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
195 bars, about 5:08 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 53 times: bars 34, 35, 41, 43, 44, 46 and 47 more.