227 bars of 3/4 -- not four -- at 96 BPM, 7:47 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 151-157, 160 and 183-189, and 3 more places -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 80 times: bars 8, 9, 10, 18, 19, 20 and 74 more.
19 more fills are written out on the fills page.
227 bars across 19 sections: 100 keep time, 80 are fills, 5 are stops and 26 are silent. The longest unbroken stretch of time is bars 85-91.
96 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
227 bars, about 7:47 at the written tempo. The course breaks it into 68 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 80 times: bars 8, 9, 10, 18, 19, 20 and 74 more.