141 bars of 4/4 at a walking 105 BPM, 5:22 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-47, 49-52 and 114-123, and 1 more place -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 3, 7, 11, 13, 15, 17 and 5 more.
1 more fill is written out on the fills page.
141 bars across 17 sections: 90 keep time, 11 are fills, 17 are stops and 16 are silent. The longest unbroken stretch of time is bars 113-123.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
141 bars, about 5:22 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 30 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 3, 7, 11, 13, 15, 17 and 5 more.