115 bars of 4/4 at 132 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-24, and 10 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 20 times: bars 7, 8, 9, 13, 17, 25 and 14 more.
6 more fills are written out on the fills page.
115 bars across 10 sections: 71 keep time, 21 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 26-36.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
115 bars, about 3:30 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 7, 8, 9, 13, 17, 25 and 14 more.