214 bars of 4/4 at a walking 100 BPM, 8:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 137-143, 153-159 and 161-167, and 1 more place -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 36 times: bars 44, 48, 52, 56, 58, 59 and 30 more.
11 more fills are written out on the fills page.
214 bars across 22 sections: 113 keep time, 36 are fills, 18 are stops and 20 are silent. The longest unbroken stretch of time is bars 179-188.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
214 bars, about 8:34 at the written tempo. The course breaks it into 66 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 36 times: bars 44, 48, 52, 56, 58, 59 and 30 more.