232 bars of 4/4 at a walking 104 BPM, 8:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 16-17, 19-20 and 22-23, and 5 more places -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 42, 44, 46, 50, 52, 54 and 21 more.
10 more fills are written out on the fills page.
232 bars across 17 sections: 120 keep time, 27 are fills, 28 are stops and 47 are silent. The longest unbroken stretch of time is bars 16-39.
104 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
232 bars, about 8:18 at the written tempo. The course breaks it into 63 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 42, 44, 46, 50, 52, 54 and 21 more.