76 bars of 4/4 at 110 BPM, about 2:46 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 10 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 4, 16, 18, 22, 36, 38 and 8 more.
4 more fills are written out on the fills page.
76 bars across 7 sections: 53 keep time, 14 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 23-35.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
76 bars, about 2:46 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 4, 16, 18, 22, 36, 38 and 8 more.