245 bars of 4/4 at a walking 105 BPM, 9:20 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49-51, 53 and 55, and 10 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 48 times: bars 4, 5, 6, 7, 8, 16 and 42 more.
11 more fills are written out on the fills page.
245 bars across 27 sections: 143 keep time, 48 are fills, 6 are stops and 22 are silent. The longest unbroken stretch of time is bars 194-204.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
245 bars, about 9:20 at the written tempo. The course breaks it into 80 exercises over 22 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 48 times: bars 4, 5, 6, 7, 8, 16 and 42 more.