65 bars at 165 BPM -- fast, and 1:34 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 41-43 and 45-47, and 2 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 10 times: bars 8, 16, 17, 18, 24, 28 and 4 more.
4 more fills are written out on the fills page.
65 bars across 8 sections: 33 keep time, 10 are fills, 12 are stops and 2 are silent. The longest unbroken stretch of time is bars 33-38.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
65 bars, about 1:34 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 8, 16, 17, 18, 24, 28 and 4 more.