290 bars of 4/4 at a walking 84 BPM, 15:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 131-132, 135-136 and 139-140, and 3 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 9, 12, 21, 88, 89, 90 and 3 more.
4 more fills are written out on the fills page.
290 bars across 22 sections: 196 keep time, 9 are fills, 1 is a stop and 67 are silent. The longest unbroken stretch of time is bars 130-176.
84 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
290 bars, about 15:14 at the written tempo. The course breaks it into 55 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 9, 12, 21, 88, 89, 90 and 3 more.