170 bars of 6/4 -- not four -- at 74 BPM, 11:31 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-15, 18-21 and 23-24 -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 35 times: bars 32, 39, 40, 41, 42, 44 and 29 more.
16 more fills are written out on the fills page.
170 bars across 16 sections: 78 keep time, 35 are fills, 3 are stops and 32 are silent. The longest unbroken stretch of time is bars 11-24.
74 BPM, in 6/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
170 bars, about 11:31 at the written tempo. The course breaks it into 76 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 35 times: bars 32, 39, 40, 41, 42, 44 and 29 more.