111 bars of 4/4 at a walking 107 BPM, 4:00 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 6-8 and 32-34, and 5 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 28 times: bars 5, 9, 14, 18, 22, 26 and 22 more.
4 more fills are written out on the fills page.
111 bars across 14 sections: 63 keep time, 28 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 75-83.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
111 bars, about 4:00 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 28 times: bars 5, 9, 14, 18, 22, 26 and 22 more.