145 bars of 4/4 at 132 BPM, about 4:23 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 79-104 -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 16 times: bars 18, 33, 34, 38, 54, 69 and 10 more.
145 bars across 13 sections: 90 keep time, 16 are fills, 15 are stops and 17 are silent. The longest unbroken stretch of time is bars 80-104.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
145 bars, about 4:23 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 16 times: bars 18, 33, 34, 38, 54, 69 and 10 more.