142 bars of 4/4 at 116 BPM, about 4:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-14, 25-30 and 49-51, and 3 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 40, 44, 68, 72, 82, 116 and 4 more.
2 more fills are written out on the fills page.
142 bars across 14 sections: 105 keep time, 10 are fills and 7 are silent. The longest unbroken stretch of time is bars 46-58.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
142 bars, about 4:54 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 40, 44, 68, 72, 82, 116 and 4 more.