81 bars of 4/4 at a walking 78 BPM, 4:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 14, and 3 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 1, 3, 4, 5, 9, 13 and 15 more.
8 more fills are written out on the fills page.
81 bars across 9 sections: 46 keep time, 21 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 56-62.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
81 bars, about 4:11 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 1, 3, 4, 5, 9, 13 and 15 more.