119 bars of 4/4 at 135 BPM, about 3:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 63, 108-112 and 114-118 -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 45 times: bars 30, 32, 34, 40, 42, 43 and 39 more.
10 more fills are written out on the fills page.
123 bars across 17 sections: 44 keep time, 45 are fills, 11 are stops and 11 are silent. The longest unbroken stretch of time is bars 114-119.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
119 bars, about 3:32 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 45 times: bars 30, 32, 34, 40, 42, 43 and 39 more.