81 bars at 165 BPM -- fast, and 1:54 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 68-83 -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 25 times: bars 4, 12, 20, 21, 22, 23 and 19 more.
3 more fills are written out on the fills page.
93 bars across 13 sections: 36 keep time, 25 are fills, 14 are stops and 14 are silent. The longest unbroken stretch of time is bars 35-38.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
81 bars, about 1:54 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 25 times: bars 4, 12, 20, 21, 22, 23 and 19 more.