60 bars of 3/4 -- not four -- at 97 BPM, 1:54 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 16-18 and 20-22 -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 25 times: bars 2, 3, 4, 7, 8, 9 and 19 more.
5 more fills are written out on the fills page.
65 bars across 8 sections: 28 keep time, 25 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 53-58.
97 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
91 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 86 out of 100; the rest of the number is everything around it.
60 bars, about 1:54 at the written tempo. The course breaks it into 32 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 25 times: bars 2, 3, 4, 7, 8, 9 and 19 more.