149 bars of 4/4 at 137 BPM, about 4:21 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 15 and 17, and 6 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 39 times: bars 12, 14, 16, 23, 24, 42 and 33 more.
8 more fills are written out on the fills page.
149 bars across 16 sections: 84 keep time, 39 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-11.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
149 bars, about 4:21 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 39 times: bars 12, 14, 16, 23, 24, 42 and 33 more.