62 bars of 4/4 at a walking 85 BPM, 2:55 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-3, 5-11 and 56 -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 16, 20, 38, 39, 40, 41 and 5 more.
1 more fill is written out on the fills page.
62 bars across 6 sections: 43 keep time and 11 are fills. The longest unbroken stretch of time is bars 1-11.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
62 bars, about 2:55 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 16, 20, 38, 39, 40, 41 and 5 more.