48 bars of 4/4 at 150 BPM, about 1:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 34, and 3 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 14 times: bars 8, 11, 12, 16, 20, 21 and 8 more.
6 more fills are written out on the fills page.
48 bars across 8 sections: 23 keep time, 14 are fills and 5 are stops. The longest unbroken stretch of time is bars 27-32.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
48 bars, about 1:17 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 8, 11, 12, 16, 20, 21 and 8 more.