110 bars of 4/4 at a walking 89 BPM, 4:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-14, 16-19 and 21, and 8 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 20, 28, 32, 46, 50, 54 and 13 more.
4 more fills are written out on the fills page.
110 bars across 8 sections: 72 keep time, 19 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 99-108.
89 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
110 bars, about 4:57 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 20, 28, 32, 46, 50, 54 and 13 more.