130 bars of 4/4 at 130 BPM, about 4:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27-28, 31-32 and 52-53, and 7 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 2, 4, 6, 20, 22, 24 and 5 more.
1 more fill is written out on the fills page.
130 bars across 15 sections: 96 keep time, 11 are fills, 9 are stops and 3 are silent. The longest unbroken stretch of time is bars 53-68.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
130 bars, about 4:01 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 2, 4, 6, 20, 22, 24 and 5 more.