188 bars of 4/4 at a walking 105 BPM, 7:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 124, 126-130 and 132-138 -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 21 times: bars 12, 44, 48, 55, 56, 60 and 15 more.
11 more fills are written out on the fills page.
188 bars across 23 sections: 120 keep time, 22 are fills, 16 are stops and 12 are silent. The longest unbroken stretch of time is bars 90-100.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
188 bars, about 7:13 at the written tempo. The course breaks it into 80 exercises over 23 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 21 times: bars 12, 44, 48, 55, 56, 60 and 15 more.