118 bars at 175 BPM -- fast, and 2:36 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 108-113 and 115-122 -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 47, 48, 69, 70, 71, 72 and 1 more.
122 bars across 16 sections: 91 keep time, 7 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 84-96.
175 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
118 bars, about 2:36 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 47, 48, 69, 70, 71, 72 and 1 more.