125 bars of 4/4 at 150 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-17 -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 21, 23, 25, 27, 29, 31 and 3 more.
125 bars across 20 sections: 80 keep time, 9 are fills, 17 are stops and 11 are silent. The longest unbroken stretch of time is bars 1-17.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 24 out of 100; the rest of the number is everything around it.
125 bars, about 3:20 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 21, 23, 25, 27, 29, 31 and 3 more.